Showing posts with label Holocaust. Show all posts
Showing posts with label Holocaust. Show all posts

Saturday, October 10, 2009

Vale Marek Edelman - anti-fascist, anti-Zionist, freedom fighter of the Warsaw Ghetto

Dear friends,
many of you may have already read that Marek Edelman died last week. Edelman was one of the leaders of the Warsaw Ghetto Uprising against the Nazis during World War II. He was a member of the Bund and an anti-Zionist, remaining one until his death last week. While Zionism tries to claim Edelman and his comrades to help further the Zionist cause and myth, Edelman and his comrades (as Tony Greenstein writes below)were "the living proof that Jews could fight anti-Semitism where they lived and didn’t have to escape to a state mirrored on the principles of their oppressors in someone else's land in Palestine. Above all he [Edelman] excoriated the Jewish collaborators and traitors who the Zionists had seen fit to call ‘heroes’. He didn’t fit in with or conform to Zionism’s narrative of the Holocaust".

In 2002, Edelman revealed he had not waived from his principle that one must stand against injustice and oppression, when he publicly sided with the Palestinian resistance, much to the outrage of the Zionist and Israeli leadership.

Edelman should be remembered for the man and hero he was - a freedom fighter, who never waived from his principles or beliefs and who stood against injustice, racism, occupation and oppression.

Below is Tony Greenstein's obituary on Marek Edelman - anti-fascist, anti-Zionist, freedom fighter of the Warsaw Ghetto.

In solidarity,
Kim

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http://azvsas.blogspot.com/2009/10/marek-edelman-death-of-anti-fascist_07.html

Marek Edelman - Death of an anti-fascist hero of the Warsaw Jewish Resistance
Last Commander of the Warsaw Ghetto Revolt Dies Aged 90

By Tony Greenstein

On October 2nd 2009, Marek Edelman, Deputy Leader of ZOB, the Jewish Fighting Organisation in the Warsaw Ghetto Uprising, died aged 90. Marek Edelman who, after the death of Mordechai Anielwicz, became Commander of ZOB, was a living legend as well as a world famous heart surgeon. He led the Bund units in the area of the Brushworks and the Tobins factories.



In December 1990 I reviewed his book The Ghetto Fights in Return 5, a Jewish anti-Zionist magazine.

Marek Edelman was a member of the anti-Zionist Bund, the General Jewish Workers Union of Poland. The Bund has originally been formed as the General Jewish Workers Union of Lithuania, Poland and Russia, but the Stalinists had eliminated it and its leadership.

Edelman’s life was the stuff of fiction. From fighting in the Ghetto Uprising, escaping via the sewers to the ‘Aryan’ side of Warsaw, a founder of Solidarity in Poland who was briefly imprisoned by the Stalinists.

Edelman was the living proof that Jews could fight anti-Semitism where they lived and didn’t have to escape to a state mirrored on the principles of their oppressors in someone else's land in Palestine. Above all he excoriated the Jewish collaborators and traitors who the Zionists had seen fit to call ‘heroes’. He didn’t fit in with or conform to Zionism’s narrative of the Holocaust.

Today Zionism praises the Warsaw Ghetto Uprising, but in the 1930’s and 1940’s it treated and made deals with the Nazis. In the Ghetto the Jewish leadership did nothing as two-thirds of the Jews were deported without resistance. The Chairman of the Judenrat, Adam Czerniakow, a General Zionist and compared to most leaders of the Judenrat, an honourable man, committed suicide. 'what could we do’ was the familiar refrain of the Jewish leadership. But the Bund, which delayed the setting up of the Ghetto through demonstrations and mass mobilisation, believed in relying on the masses, not the lying words of the Nazi enemy.


Edelman as a young man

Zionism had always preached the line of least resistance. As the anti-Nazi Boycott of German goods was launched in Britain and the USA in 1933 by the Jewish labour movement, the Zionist leaders negotiated an economic transfer agreement (Ha'avara) that led to 60% of capital investment in Palestine between 1933 and 1939 coming from Nazi Germany.

Edelman became a ‘non-person’ in Israel. He challenged the Zionist fable that the holocaust was part of a continuous road that led to the Israeli state and that the Ghetto Uprising was part of that same road. Having abandoned the Jews of Europe to their fate, Zionism created the myth that resistance to the Nazis was a Zionist endeavour.

As Yitzhak Laor noted in his review in Ha'aretz of 26.12.04. of Ruth Linn’s, Escaping Auschwitz: A Culture of Forgetting

‘How long did it take before we finally learned that there had been anti-Zionists among the fighters in the Warsaw Ghetto uprising? Who was Marek Edelman? Why could he show up from time to time at Kibbutz Lohamei Hageta’ot (“Ghetto Fighters”) to sit down and chat with his soul mate Antek Zuckerman, while we, as readers, were kept in the dark as to the man’s charm and greatness? Because the collective memory was unable to tolerate people who had consciously chosen not to identify with the Zionist enterprise, even in the context of Holocaust memory.’

Linn’s book dealt with another Jewish hero of the holocaust hero, Rudolf Vrba, who with Alfred Wetzler, escaped from Auschwitz, to warn the 800,000 Hungarian Jews that they were next on the Nazi butchers’ list. Their detailed description of the gas chambers and the location of their murder, the Auschwitz Protocols, was suppressed by the Zionist press and movement until the Swiss newspapers , the War Refugee Board and the Vatican, among others, blew the whistle.

The reason for the silencing of Edelman and Vrba was because the Holocaust has been harnessed to the cause the dispossession of the Palestinians. The Palestinians were the new Nazis and anyone who disagreed was also an anti-Semite. As Richard Goldstone found out this week when Israel's finance minister, Yuval Steinitz, accused him of being an anti-Semite. (BREAKING NEWS - Israel Finance Minister: Goldstone Is 'Anti-Semite').

As Idith Zertal wrote:

"Nationalizing the ghetto uprisings was a way of nationalizing the narrative and removing all the contradictory, non-Zionist elements…. The fact that the umbrella organizations involved in the rebellion included all the political parties was minimized or obscured. Of all the efforts to hush up and disguise the truth, the case of Marek Edelman is perhaps the most glaring."

As Zertal pointed out, the "Encyclopedia of the Holocaust," edited by Israel Gutman, one of Israel's Establishment Holocaust Historians at Yad Vashem, is very vague about Edelman's role, and devotes only one column to him. (The Living Dead, Yitzhak Laor)

Marek Edelman’s book, The Ghetto is Fighting, was first published in Poland in 1945 and republished in Britain in 1990. Given that this was the only first-hand account by a leader of the Uprising, it is hardly accidental that it took 56 years, until 2001, before it was published in Israel.

“Like Vrba, Edelman ‘ascended’ to Israel, refusing to become the ‘dead and obedient hero who could be moulded along with the political order of that time. On the contrary he remained alive and kicking and refusing and, therefore, extremely inconvenient for the creation of a heroic Zionist condensing and compensating myth.’ Zertal, I. Death and the Nation, 56-7 (Translation from Hebrew).



Fighters of the Warsaw Ghetto

As another survivor of the Warsaw Ghetto, Professor Israel Shahak, wrote in a letter published on 19 May 1989 in Kol Ha'ir, Jerusalem:

Nearly all the work of administration, and later the work of transporting hundreds of thousands of Jews to their deaths, was carried out by Jewish collaborators. Before the outbreak of the Warsaw Ghetto Uprising… the Jewish underground killed, with perfect justification, every Jewish collaborator they could find. If they had not done so the Uprising could never have started. The majority of the population of the Ghetto hated the collaborators far more than the German Nazis….

the entire Nazi success in easy and continued rule over millions of people stemmed from the subtle and diabolical use of collaborators… This, and not what is 'instilled' was the reality. Of the Yad Vashem (official state Holocaust museum in Jerusalem - Ed.) theatre, I do not wish to speak, at all. It, and its vile exploits, such as honouring South Africa collaborators with the Nazis [the visit of South African Premier John Vorster to Israel - TG) are truly beneath contempt.

And this is the reason for the silencing and invisibility of Marek Edelman and Rudolf Vrba. They were living proof that Zionism was not and never was a movement of resistance in Europe, but a movement of collaboration. Ironically, given that Zionism accuses its Jewish opponents of ‘self-hatred’, it is as Antony Lerman points out in the Guardian, ‘arguable that Zionism was actually a display of it.’


Warsaw Ghetto fighters

Of course there were many Zionists who, despite their Zionism, fought against the Nazis. They included the Commander of ZOB, Mordechai Anielwicz of Hashomer Hatzair. But he too began the fightback with a declaration that his Zionist work in Poland had been wasted years. Even as preparations for the Uprising were underway, Zionist collaborators such as Abraham Gancawajch of Hashomer Hatzair were targeted (unsuccessfully in his case) for assassination.

As John Rose notes in his obituary in the summer of 2002,

Edelman, intervened in Israel's show trial of jailed Palestinian resistance leader, Marwan Barghouti. He wrote a letter of solidarity to the Palestinian movement, and though he criticised the suicide bombers, its tone infuriated the Israeli government and its press. Edelman had always resented Israel's claim on the Warsaw Ghetto uprising as a symbol of Jewish liberation. Now he said this belonged to the Palestinians.

He addressed his letter to the Palestinian ZOB, "commanders of the Palestinian military, paramilitary and partisan operations – to all the soldiers of the Palestinian fighting organisations". The old Jewish anti-Nazi Ghetto fighter had placed his immense moral authority at the disposable of the only side he deemed worthy of it.

And this is the response to those who query the connection between the Palestinian fighters and the Jewish fighters of the Warsaw Ghetto Uprising.

Former Israeli Foreign Minister, Moshe Arens, in Ha'aretz: reveals that when trying to get Edelman an award of an honorary doctorate from an Israeli university, Vrba received one in 1999 from Haifa University as a result of Ruth Linn’s efforts, ‘I ran into stubborn opposition led by Holocaust historians in Israel.’ These were the Zionists' establishment historians, people such as Yehuda Bauer, Yisrael Guttman, Gili Fatran and Otto dov Kulka, who have been in the forefront of Zionising and nationalising the Holocaust. Their task is to rewrite the history of the Holocaust so that it becomes the property of those who, in their time, were the real Jewish self-haters and collaborators.

Arens wrote of Edelman that

‘He had received Poland's highest honor, and at the 65th commemoration of the Warsaw ghetto uprising he was awarded the French Legion of Honor medal. He died not having received the recognition from Israel that he so richly deserved.’

Some would say that he was doubly fortunate in this respect!

Tony Greenstein

Friday, May 8, 2009

Seven Jewish Children - a play for Gaza

Dear friends,
in January, during Israel's assault on Gaza which resulted in 1417 Palestinians killed, including 926 civilians and 255 traffic police and 236 resistance fighters, English writer Caryl Churchill wrote Seven Jewish Children - a play for Gaza.

The play runs for less than 10 minutes and can be performed any number for performers.

As Churchill notes in her introduction to the play, no children appear in the play, instead the speakers are all adults - parent or relatives of the 7 children depicted by the seven short interludes presented. The play traverses the last 80 years looking at the horrors of the Holocaust, the Zionist colonisation of Palestine, to the establishment of Israel and the Palestinian Nakba, the 1967 war and the Israeli occupation of the West Bank, Gaza and East Jerusalem and the Golan Heights, to the first Palestinan Intifada and to the recent Israeli war in Gaza.

The Zionist lobby has, of course, labelled the play anti-semitic because it addresses the issues of fear and hatred of Palestinians within Israeli society (this blind labelling of the play, includes in Australia, AIJAC's (Australia Israel and Jewish Affairs Council) Jeremy Jones - who supports the claim that the play is anti-semitic but admits he has never even read the play)

However, many others, including Israeli Jews and other supporters of Israel (and who have actually read the play) challenge the assertion of the Zionist lobby that Churchill's play is anti-semitic.

The play will be performed in Melbourne on May 18 at The State Library of Victoria at 6.30pm to mark the 61st anniversary of the Palestinian Nakba (catastrophe). It will be performed by Miriam Margoyles, the well known British character actor, who also happens to be Jewish. Also performing with her will be well known Australian character actor, Max Gilles.

Below is the review of Seven Jewish Children by Israel writer, Larry Derfner, which appeared in the (conservative) Jerusalem Post, as well as the Melbourne based Age newspaper on the Melbourne performance of the play.

Also below is a video production of the play by The Guardian, with Jennie Stoller performing the play in solo capacity.

in solidarity, Kim


Guardian production of Seven Jewish Children, starring Jennie Stoller.



Hearing echoes in 'Seven Jewish Children'
By Larry Derfner
Jerusalem Post, 22 April 2009


http://www.jpost.com/servlet/Satellite?cid=1239710762124&pagename=JPost%2FJPArticle%2FShowFull

After reading a lot of the pro and (mainly) con about Seven Jewish Children - a play for Gaza, I prepared to write a column saying that while it took an excessively critical view of Israel, it was not anti-Semitic, and that there was a big difference between the two.

Being a responsible journalist, I then set aside 10 minutes to actually read the play, and I found that not only isn't it anti-Semitic, it isn't excessively critical of Israel, either. As far as I'm concerned, it's just critical enough - which is to say very, very critical. More precisely, this short play by Britain's Caryl Churchill expresses moral outrage at Israel - which is what I felt during the war in Gaza, and what lots of other Jews and gentiles who want the best for this country felt as well.

I don't know what Churchill thinks would be best for this country, or for the Jewish people, and I don't know if I'd agree with her if I knew. But what she seems to be saying in this play is that the trauma to the Jews during the Holocaust has, over the years, been twisted into the aggression of the Jews in today's Israel. She's saying that while Jews saw Israel as a sanctuary after the Holocaust, the building of this sanctuary also meant the displacement of a lot of natives, specifically Beduin. She's saying the Six Day War turned us into conquerors, made us callous toward the Palestinians, and that our callousness reached a shocking new extreme during our onslaught in Gaza.

She's saying Jewish victimhood has not been redemptive; that instead, it's fueled Israel's victimization of Palestinians and been used as an excuse for it. She doesn't portray Palestinians as pacifists, noting, in the words of her characters, that they're known to "set off bombs in cafes," that they include "Hamas fighters" and that "they're attacking with rockets." But her view in the play is that Israel exaggerates the Palestinian threat out of all proportion and gives many, many times better than it gets.

Seven Jewish Children says this country has become hysterical with fear and aggression, that the more hell we inflict on innocent Palestinians, the more desperate we are to deny any wrongdoing and the more medals we pin on our chests.

Churchill wrote the play in January, while the war was going on. It was a harsh portrayal of this nation, but, in my opinion, a true one.

The play's spirit isn't filled with hatred; it's filled with moral outrage. There's a difference. You don't have to be an anti-Semite or even an anti-Zionist to be morally outraged at our treatment of Palestinians, especially during Operation Cast Lead.

The charge has been made that the play compares Israelis to Nazis. I never thought that for one moment while reading it, rereading it or watching a staging of it on YouTube. The American journalist James Kirchick wrote that by the end of the play, the Jewish child being raised in Israel is a "Baruch-Goldstein-in-training."

Not at all. None of the characters is a murderer or a proponent of murder. None is a sadist. What all of them are is callous about what Israel is doing to the Palestinians, and by turns worried or defiant about how to justify it. No Nazis here, no Baruch Goldsteins, but rather people who've suffered too much and caused too much suffering, and who have become severely coarsened in the process. Read the "worst" monologue, the climactic one:

"Tell her, tell her about the army, tell her to be proud of the army. Tell her about the family of dead girls, tell her the names, why not, tell her the whole world knows why shouldn't she know? tell her there's dead babies, did she see babies? tell her she's got nothing to be ashamed of. Tell her they did it to themselves. Tell her they want their children killed to make people feel sorry for them, tell them I don't feel sorry for them, tell her not to be sorry for them, tell her we're the ones to be sorry for, tell her they can't talk suffering to us. Tell her we're the iron fist now, tell her it's the fog of war, tell her I laughed when I saw the dead policemen, tell her they're animals living in rubble now, tell her I wouldn't care if we wiped them out, the world would hate us is the only thing, tell her I don't care if the world hates us, tell her we're better haters, tell her we're chosen people, tell her I look at one of their children covered in blood and what do I feel? tell her all I feel is happy it's not her."

I heard comments similar to these from some of my relatives during the war. Going back through the 24 years I've lived here, I've heard comments like these from relatives, neighbors, fellow soldiers - I've heard it and read it all over the place. I've heard it from Diaspora Jews too.

Who are we kidding? Does that monologue represent the voice of every Israeli and "pro-Israeli" Diaspora Jew? Of course not. But is it an authentic voice, a view of Palestinians held by many, many Jews here and abroad even if they don't express it publicly? Has that voice not gotten louder? And when push comes to shove with the Palestinians, as it did in Operation Cast Lead, does Seven Jewish Children not echo the inner (and often outer) voice of Israel at war?

I think it does. And I agree - it's an awful echo to hear.

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'Bollocks': Jewish actor defends contentious play


Karl Quinn, The Age
May 08 2009
http://www.theage.com.au/news/entertainment/arts/bollocks-actor-defends-play/2009/05/07/1241289313892.html


British actor, Miriam Margoyles

A PLAY that has been condemned by Jewish groups and some theatre critics as anti-Semitic will this month be performed at the State Library of Victoria.

The cast of the eight-minute Seven Jewish Children, by English playwright Caryl Churchill, includes Sydney-based Anglo-Jewish actor Miriam Margolyes and Max Gillies, husband of high-profile Melbourne Jewish identity Louise Adler.

It will be presented in a rehearsed reading on Monday, May 18, at 6.30pm by the lobby group Australians for Palestine.

The play has garnered praise from theatre critics in Britain, but was condemned by Christopher Hart in The Sunday Times ("ludicrous") and the Spectator's Melanie Phillips ("an open vilification of the Jewish people … sickening and dreadful beyond measure").

Even before the play has had its Australian debut, that response has been echoed in Melbourne.

Jeremy Jones, of the Australia/Israel and Jewish Affairs Council, said he had not read the play but was well aware of it. "Most of the people who you would take seriously on the question of racial vilification have labelled it anti-Semitic," he said.

"At the very least it is something that so greatly distorts the subject that it does the exact opposite of what great art does, which is to shed light on a topic." According to Dr Danny Lamm, president of the Zionist Council of Victoria, the play portrays "the complete antithesis of Israel".

"This play is simply another propaganda attempt to delegitimise the Jewish nation and to perpetuate the same lies that are continually played out in the media."

Seven Jewish Children consists of seven short movements about crucial stages in the history of Israel: the Holocaust, the aftermath of war, the settlement of Israel in 1948, the displacement of the Arabs, the Six-Day War, the Intifada and the war in Gaza, which began in December 2008.

The play unfolds in highly poetic form, with pairs of adults debating how to tell a child about the world. A typical exchange: "Tell her they want to drive us into the sea/Tell her they don't/Tell her they want to drive us into the sea./Tell her we kill far more of them/Don't tell her that."

Caryl Churchill wrote the work in January, during the war in Gaza. The text is freely available at royalcourttheatre.com.

The local production was born about three weeks ago when Moammar Mashni, of Australians for Palestine met Margolyes in Melbourne. They decided to do a one-off reading.

Margolyes describes herself as an activist and visited Gaza with the UN 12 years ago. Yesterday she defended her part in the production.

"I think it's very important that Jewish people who think as I do… should say, 'Look, we're Jews, and we want Israel to survive, but not like this, not by killing other people.' " And what of the charges of anti-Semitism? "That's bollocks."

Gillies also railed against charges of anti-Semitism: "That criticism is wilful misinterpretation of the piece," he said.


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